You're now on the Haunted Library, some media may or may not be cursed.

The Crow: 7 words: One of my favorites of all time. What a masterpiece, it has everything, from the aesthetic to the story and of course, the crow. I love it so much I could watch it again and again. It has a special place in my heart, the symbolism, the action scenes, and the fact that he came back to avenge his love. I also loved the Poe reference. Brandon Lee was great, truly tragic what happened to him during that scene, may he rest in peace. 5 stars, cried.

The Silenced: Why is this movie so underrated? It's a great horror movie. The ambience is very eerie, it blends mystery, psychological horror, and historical trauma. Park Boyoung is one of my favorite korean actresses so I'm a bit biased when I say that I loved her performance. The ending was very sad, Yeonduk did not deserve that.

Kamikaze Girls: Such a cute movie, it was very fun too. Since the beginning the story is filled with humour. It's chaotic but in the best way possible, the contrast between Momoko’s delicate, hyper-feminine lolita world and Ichigo’s tough, biker-girl energy creates a friendship that feels both hilarious and cute, but beneath all the humor and absurdity, there’s a genuine message about identity. Momoko's outfits were everything tho, she was iconic.

Gia: A beautiful and heartbreaking movie. Gia's life was filled with pain and sorrow even though she was able to reach the top. Angelina's performance is brilliant, she has the charisma, gestures and everything in the right place. She was able to capture the pain and addiction Gia went through in life. The last scene was heartbreaking. Truly a beautiful movie.

The Craft: I've been wanting to watch this one for a long time and now that I have I really liked it. The aesthetic was immaculate and the story was pretty good. Sarah was a bit bland in my opinion, I'm sorry about what I'm about to say but Nancy was iconic. Overall it's a good movie and has some iconic scenes like the ''Jealous? You don't even exist to me!''.

Angel's Egg: Also one of my all time favorites. Truly a masterpiece. Everything about it is perfect, the aesthetic, empty streets, strange machinery, the dim blue lighting, and the constant feeling that the world is abandoned or suspended in time. I loved the ambience and of course the symbols and message behind it. It feels more like a dream than a movie, there’s this tension between belief and doubt, innocence and betrayal, creation and destruction. It really touched me.

Shaft: A great movie, I loved every moment of it. The story is rich and compelling and I did not expect it to end like that. It's fast paced and every character has its unique personality, the movie has that early-2000s crime-thriller vibe, a dramatic lighting, loud attitudes, and a mix of gritty street crime with glossy action moments. It was also the first movie with Samuel L. Jackson that I've seen.

The Brown Bunny: Oh hum, okay I guess. I did not expect that at all, and I'm talking about everything. To be honest I don't even know what I was expectating. It's also very slow, I understand now why people say this movie is controversial specially with the last scene.

Kuroneko: A beautiful tragic movie. I did not expect it to be so sad. The story blends revenge, tragedy, and supernatural folklore in a way that’s both terrifying and heartbreaking. The atmosphere is stunning, all shadows, moonlight, and slow, graceful movements make every scene feel enchanted and cursed at the same time. The scene where they both hold each other again was beautiful and at the same time tragic. I loved it very much.

VIY: Extremely surreal and visually striking. I loved the aesthetic, the combination of dark, gothic imagery with almost dreamlike sequences makes it feel like stepping into another world. The atmosphere is unforgettable. Random but the images of Jesus inside the church were very creepy, but that only added to the aesthetic of it. I love these kinds of movies.

Fantastic Planet: A movie that everyone should see at least once in their lives. It has a deep message about how we as humans treat other species and the animation is beautiful and strange at the same time. A masterpiece, I appreciate ants more now.

Valley Of The Dolls: The beginning is a bit slow and boring, but the film is ultimately sad and beautiful. Sharon Tate was a great actress, it’s heartbreaking what happened to her. The themes of fame, addiction, and self-destruction are handled in a way that feels both tragic and deeply human.

Buffalo 66: Putting aside the troubling behind-the-scenes issues, this is one of my favorite films. The aesthetic, the offbeat story, and the dynamic between Layla’s softness and his difficult personality are captivating. I especially loved Layla’s wardrobe, it adds so much to her character. Despite the dark subject matter, there’s a strange tenderness to it that makes it unforgettable.

Valerie and Her Week of Wonders: One of my all-time favorites. This film is surreal, dreamlike, and hauntingly beautiful. The story blends fairy-tale imagery with coming-of-age themes, exploring innocence, desire, pain, and the strange, sometimes unsettling journey of growing up. I found myself identifying with many scenes, the moments of confusion, curiosity, and fear felt so real and personal. The aesthetic is mesmerizing, full of gothic, ethereal visuals that make the world feel both magical and unsettling. It’s a film that lingers in your mind, full of symbolism and emotion, and every time I watch it, I notice something new.

Equilibrium: I absolutely loved this. Christian Bale delivers a fantastic performance, and the story’s themes of emotional suppression and societal control reminded me a lot of 1984. The choreography of the action sequences is beautiful, but what makes it stand out is how deeply it explores emotions and humanity in a dystopian context. But for a society that can't show emotions, some of them do show a lot. I don't know why it's so underrated.

American Psycho: My all-time favorite. I love verything about this film, the actors, the satirical take on capitalism, the psychological depth, the dark humor, and the atmosphere. Every scene feels carefully crafted, and the underlying commentary on identity and superficiality is brilliantly executed.

Liverleaf: People were calling this film terrible, so I knew I was going to like it, I was right. The special effects are goofy at times, but I loved the aesthetic and the story’s chaos. Everyone is unhinged, and it makes the world feel unpredictable. The ending was unsatisfying, but the journey there was fascinating.

Natural Born Killers: I enjoyed this. It’s chaotic, stylish, and unafraid to push boundaries. The mix of violence and satire creates a film that’s as thought-provoking as it is entertaining. I loved the scene where they make a blood pact of love.

Midori: I watched this out of curiosity. It’s a controversial and disturbing film, full of tragedy. I understand why some people can’t or won’t finish it. Personally, I didn’t love it but I also didn’t hate it. Its purpose is clearly to make viewers uncomfortable, and in that sense, it succeeds brilliantly.

The Misfits: Love it, my second favorite Marilyn Monroe film. There’s a profound sadness throughout the film, and each character carries a quiet, internal pain. The story is melancholic but deep, and the performances make the emotional weight truly resonate.

The Conjuring: Last Rites: A solid horror film. I absolutely love all ''The Conjuring'' movies and I also love true stories of paranormal activity so this is for me. It has effective scares and a tense atmosphere, making it a satisfying watch for fans of the genre.

Lolita: The actors are excellent, but the story is deeply troubling. The performances elevate the material, but the narrative itself leaves a complicated and uncomfortable impression. I don't understand people who ''romanticize'' the word Lolita or its story, it's not supposed to be glamourized.

Perfect Blue: I really enjoyed it. The psychological tension and the exploration of identity and fame are gripping. The animation style and soundtrack complement the dark, unsettling mood perfectly. The scene where Mima is on the train and her own reflection says ''Mima would never do that'' really stuck with me. Beautiful.

Belladona Of Sadness: A beautiful but tragic film. The dramatic scenes are intense, and the story is compelling, with a touch of redemption for the main character. The visual style is haunting and unforgettable, making it a unique cinematic experience.

Death Becomes Her: Cute and funny, I ended up really enjoying it. The dark humor and over-the-top performances make it surprisingly fun, and some of the twists caught me off guard. The visual effects are playful and campy, which fits perfectly with the absurdity of the story. It’s a movie that doesn’t take itself too seriously, and that’s exactly what makes it so entertaining. I did not expect it to be so goofy at times.

Drugstore Cowboy: Underrated but pure gold. The story, performances, and overall atmosphere are amazing. It’s a film that lingers in your mind long after watching, with a mix of dark humor and poignant moments. Now whenever I see a hat on a bed I remember this movie.

Jennifer's Body: I had high expectations for this movie because of the hype around it but... I'm neutral about it. The premise had potential, and there are moments of dark humor, but overall it didn’t quite work for me. Some of the performances were good, but I didn’t connect with the characters, and the plot didn’t leave a strong impression. Visually it’s fine, but it didn’t make the movie feel memorable or impactful. It's an okay movie for me.

The Virgin Suicides: Yeah... I did not like this one at all. The story itself had so much potential, but it was wasted. We never got to really know the girls or what really was happening inside their mind. It was always told by the boy's point of view which made the movie feel superficial level. Sadly I don't get the hype about it. It could have been a great movie if we saw the girl's perspective.

Thirteen: I liked this one, Thirteen is raw, intense, and honest. It dives deep into the turbulent world of adolescence, exploring peer pressure, rebellion, and the struggle for identity. The movie doesn’t sugarcoat the consequences of risky behavior, making it both shocking and poignant. It’s uncomfortable at times, but that’s what gives it power. The visual style is gritty and immediate, perfectly matching the chaotic energy of teenage life. Overall, Thirteen is a powerful exploration of adolescence that stays with you long after the credits roll.

Salome: My favorite ''theatrical'' book. Salome is dark, sensual, and beautifully excessive. Oscar Wilde turns a biblical story into something obsessive and theatrical, filled with desire, power, and destruction. The language is rich and poetic, almost hypnotic, and every line feels deliberately dramatic. The themes of forbidden desire, control, and punishment are explored in a way that feels both decadent and tragic. Salome is iconic.

Encantamento: I loved this book, another underrated masterpiece. The story has stuck with me ever since. This is one of those novels that feels like a spell, it's soft, magical, and deeply heartbreaking at the same time. Alice Hoffman writes in a way that blends reality with myth so naturally that you almost forget where one ends and the other begins. The writing is full of small details, magical symbolism, and moments that feel like fairy tales twisted by grief. There’s a bittersweet tenderness running through the whole book.

Armadilha Mortal: This is a great book from an underrated author. This is a tense, unsettling thriller that slowly tightens around you like a noose. Maurice Perisset writes psychological suspense in a way that feels intimate and claustrophobic, the danger isn’t just physical, it’s emotional, creeping into every corner of the story. The plot moves with a steady, deliberate pace, building dread more through atmosphere than action. There’s a constant sense of manipulation and psychological pressure, like the characters are being pushed toward something inevitable and terrible, because they are.

Século dos Anjos: A beautiful and short book with heartfelt poems. I wish it was longer, there's a lot of poems that I really liked here. Ione really knows how to make you feel every word that she wrote. There's 2 images in the book, they're both very surreal. This one stuck with me: ''When I fought death, I had weapons in my hands: my childhood dolls''.

Rosemary's Baby: One of my favorite books of all time. Fun fact, my mother read this book while she was pregnant with me. What I loved most is how the horror doesn’t rely on monsters or gore, it’s psychological, intimate, and deeply personal. The book builds suspense beautifully, and when the truth finally reveals itself, it’s shocking but also feels like the only possible ending. It’s tragic, eerie, and brilliant. Overall, Rosemary’s Baby is a masterpiece.

Poodle Springs: I loved every minute of it. The plot itself is classic noir: messy relationships, hidden motives, and a glamorous town full of things that look perfect on the surface but rot underneath. What I liked most is that the book still captures Marlowe’s loneliness, that feeling that he doesn’t quite fit in, even when he tries to start a new life. The book was left unfinished but I could barely tell the difference between the two authors. Overall, Poodle Springs is a solid, great detective story.

White Nights: Lord have mercy, don't get me started. One of my favorites of all time. is a beautifully melancholic story that captures loneliness in a way that feels almost too real. Dostoevsky writes with such tenderness that even the simplest moments feel emotional. The nights he spends with Nastenka feel magical, but underneath that softness, there’s this quiet ache, the fear of being forgotten, the fear of loving more than you are loved. One of the saddest things about this story is that Nastenka doesn't even ask for his name.

The Death of Ivan Ilyich: This is one of those books that feels simple on the surface but hits you with a heavy emotional punch the more you think about it. Tolstoy writes about death, fear, denial, and the meaning of life with such clarity that it almost becomes uncomfortable, it’s honest. Painfully honest. It’s a short book but it leaves a long shadow. This book makes you reflect on your own life, your choices, and what you value. It’s uncomfortable, philosophical, and a reminder that death isn’t the scariest part of life, wasting it is.

Paixão: I love poetry, especially poems of love and tragedy so I really liked this one. There's a lot of quotes that resonated with me, fun fact: I read this book in a day and then became sad that I finished it too quickly.

Complete Tales and Poems of Edgar Allan Poe: My favorite author of all time. The master Poe. Everything he wrote resonates with me, every poem and tale. He was and is truly one a kind. I've probably read everything he has written a hundred times. He has always been my biggest inspiration on art and writting. Reading the poem ''Alone'' and ''The Raven'' when I was still a kid changed my perspective in everything, it always resonated a lot with me.

Florbela Espanca: Poesia Completa: My favorite female author of all time. Every poem that she wrote is full of emotion and deep words. There is not a single poem that I do not like. ''Se tu viesses ver-me'' is my favorite poem of her. Her work is timeless, it's a shame she suffered greatly in life.

Metamorphosis: The Metamorphosis is undeniably a classic, but for me it didn’t resonate as deeply as I expected. The premise, a man waking up transformed into a giant insect is striking and strange, and Kafka’s writing is precise and compelling, yet I found myself emotionally detached from the story. I understand its purpose and symbolism however it did not stuck with me. Still a great book.

Poesia Reunida: Maria do Rosário Pedreira: I really love Maria's way of writting, it's also very different from what I'm used to. She does not write with symbolisms, she writes with pure reality in her words but that's what makes it so brilliant. She is not afraid to be realistic and does not sugarcoat anything. She has some really heartbreaking poems that I love.

The Other Girl: This is a true story about the author, a devastating book. From age ten, Annie grappled with the knowledge that she was not her parents’ first child, that she “replaced” a girl who vanished from life but never from memory. The book becomes her attempt to reconstruct that lost sibling’s existence through photographs, recollections from relatives, and the little fragments of memory and silence left behind. She writes softly, yet every sentence carries the idea that you exist only because someone else died, that you might owe your life to their loss.

Moscas Nos Olhos: Moscas nos Olhos is an unsettling and deeply emotional book that captures the feeling of trauma, war and pain. The writing is intimate and raw, almost like reading someone’s private thoughts. The atmosphere is heavy but beautifully written, and there are scenes that linger in your mind long after you finish reading. It's a story about being a nurse during WW1, it has a lot of impact.